Category Archives: Career

Waiting or the Ripe Fruit Theory

Hollywood is a strange town when it comes to timing. There’s always a lot of waiting. And you can wait a long time. Then, after so much waiting, you wait some more.

THE RIPE FRUIT THEORY

All this waiting is like buying and selling fruit.

Tasty Fruit

When buying, you wait and wait for fruit to ripen and go on sale. There are many reasons your favorite fruit–strawberries, bananas, kiwi, whatever–may currently be at an astronomical price. The fruit could be out of season, maybe there was a poor crop, or perhaps the weather caused a beetle infestation that ate everything before you could.

When selling, you just hope to unload all the ripe fruit you spent months growing before it goes bad…and you want to get the best price you can for it.

Now when fruit goes on sale, you want to hurry up and buy all of it at a great price. However, you can only stock up on so much fruit at one time because it will quickly rot in your non-air conditioned LA apartment. Next thing you know, you’re surrounded by fruit flies and bad smells.

It appears that script buyers view things in an oddly similar way. They don’t want to pay too much or be stuck with a script that starts to go bad and rot in development in their office. If you ever saw script flies swarm an assistant’s desk, you’d be wary, too.

Unfortunately, there can be many reasons your writing product may not currently be in demand. Your spec might not be the current hot genre, perhaps the characters don’t mesh with the bankable actors currently available, or maybe your story is in the wrong budget range. Just how a farmer can’t control the weather, a writer can’t control the market place.

However, writers and farmers can control how hard they choose to work to grow and write the best product possible. So find the right tools, the best patch of soil, and all the other ways you can extrapolate this metaphor and put in the hard work now. Sooner or later your script will be ripe and you could win the county fair–with a cash prize and a blue ribbon!

Thankfully for writers, our product continues to hold out the hope of one day finding the right buyer. All the left over pumpkins after Halloween aren’t so lucky.

Time to get back to farming–I mean writing.

-Zac

Leave a Comment

Filed under Career

Post Follow Up Gig Thoughts

It has been several weeks since I completed my most recent freelance writing assignment. Since then, I’ve been busy with other things, but now seems like a good time for my –

Post Assignment Thoughts glorified lollipop tree - tiny

This was my second freelance writing gig and it was a bit different from my first… but it was also somewhat similar. And that’s the main thing I’ve come to learn from this writing experience, this career will always be the same but different.

When it comes to taking on a freelance TV episode, there’s a chance I could be working with a new editor… or one I’ve worked with before. I could end up writing for a new show… or one I’ve written for before. It’s possible I may land an assignment where I’m working on a new show with new people and the entire experience will be new. But I can guarantee that I’ll never have the exact same assignment twice because…

The story will always be different. And every story will come with its own awesome moments and its own challenges. There will never come a time when a writer lands a gig that only requires them to retype the same thing they wrote before. Copy-paste is not what this job is about.

So, that old adage about writing a project – a spec, a pilot, a novel, etc. – that is the same but different applies to more than just developing your own material as a writer. It also applies to the process and work of a freelance assignment.

The real challenge is finding a way to take the part that’s different and learn something from it. You have to continue to grow as a writer because after you spend the paycheck, that lesson is the real reward you get to keep.

-Zac

Leave a Comment

Filed under Career, Writing

Landing the Follow Up Gig

This holiday season has been spectacular for many reasons. I’ve been busy, happy and most importantly of all I’ve been…

Writing on Assignment Glorified Lollipop Tree - Shaded - Tiny

I’ve landed a second freelance writing gig!

This new assignment is for the same great project as my previous writing gig. Just like before, I cannot really say much about the writing or the work.

I can say that so far the experience has been the same, but different. That idea just keeps appearing everywhere I go in Hollywood. If I can find some entertainment business DNA and put it under a microscope, then I imagine somewhere on that double helix in tiny courier font are the words: “same but different”.

There will be another round of post assignment thoughts when this gig is complete. Until then… Happy Holidays!

And now back to writing.

-Zac

2 Comments

Filed under Career, Writing

Promoting Promotions: Writers’ Assistant

After the thankful end of my show’s hiatus, I’ve been extremely busy at work. And that extra work has finally paid off with a…

Promotion Glorified Lollipop Tree - Shaded - Tiny

That’s right, I’m moving on up… or at least over. I suppose it’s slightly on a diagonal. It’s up and sideways.

After working for a season as a script coordinator on a kids animated television series, I have been promoted to the position of Writers’ Assistant. At least that’s what it’ll say in the credits.

Writers' Assistant

If the title doesn’t give it away, the job is all about assisting the writers on the show. Sometimes I help do research to answer unusual story-related questions, or I will compile synopses for episodes that have already been written. I’ve even been asked to read writing samples from potential freelance writers. Basically I am there to do anything the writers need help with–including fetching coffee. Fortunately none of the writers I work for ask me to make coffee runs… there’s a reason I gave up the food service industry after my very first job at a sandwich shop. Let’s just say there was some crying over spilt mustard.

In addition to these new responsibilities, I also still perform all the same script coordinator duties as before. Our production runs a rather small crew, so I play double duty. Usually the positions of script coordinator and writers’ assistant are two separate jobs, especially on live action shows. Once again animation proves to be a different sort of beast.

Time to get back to work. I’ve also been extremely busy for other reasons, and I hope to share that news next time.

-Zac

Leave a Comment

Filed under Career

The Dreaded Hiatus

TV lovers know there is a long break between the seasons of a show appearing on their television screens. In television production, that long wait is not merely a frustrating time to search through reruns or catch up on that never-ending Netflix instant queue. Rather, that break between seasons is known in the production world as the dreaded…

Production Hiatus 

The break between seasons of a show on our TV screens often does not coincide with the production break between seasons. However, there are some interesting similarities in what both the audience goes through and the production team experiences during a hiatus. The main common ground comes down to one thing: anxiety.

What will happen next? When will the next season start? These are concerns we have when on hiatus. It can be slightly stressful. Of course there is the even bigger question that eats at an audience: will there be another season? If that question eats at the audience, it literally plagues the production teams that make the show. For those of us that work to make a show, finding out if there will be another season is about more than keeping the story going for our favorite characters. It’s about knowing if there will be a paycheck, if there will be a way to pay the bills, a way to put food on the plate. Frankly, it’s down right scary.

But we all know this going into a television job. If a show doesn’t return, then it’s simply time to find a new one. While the audience may only need to change the channel to see what else is on, production teams have to brush up their resumes and hustle. In fact, it is a good habit to search for a new job whenever the end of a season is coming up.

Recently (sort of… I’m way behind on my blogging), I survived my first production hiatus. I was given a one-week notice that my job would be ending… and that was terrible news. The rumor was that there might be another season of the show I’d been working on, but it was unclear when that would be. This is what they call “being on the bubble”, and nobody wants their bubble to burst. Basically, don’t get your hopes up in that situation. Additionally, it was not clear if my job would be around in the potential next season due to… let’s just call it outsourcing of a sort.

So, I networked as much as possible and landed a few interviews. And, unfortunately, those interviews did not go well. One of the interviews was so terrible I was actually glad when they did not give me the job. The other interview was okay, but I was not picked. It was disappointing… sort of like never knowing how a TV series ends because it was prematurely canceled.

But then sometimes things work out.

My show was picked up for a full second season. You can read the official press release here. I was also offered the chance to return to the show with a minor promotion. There’ll be more on that… next time.

For now, I am gratefully employed!

-Zac

2 Comments

Filed under Career

Post Assignment Thoughts

I recently finished my first professional screenwriting assignment, so let me answer the big question…

How Was the Assignment?

Truthfully it was all the things I had hoped: challenging, fun, lots of typing, exciting, hard work, tough decisions, and at the end–a paycheck! It’s surprising how motivations change when other people are asking you to write and paying you to do it. Writing speculatively for so many years, I am simply used to setting my own deadlines and expectations. While under a contract, those personal goals drop away. The number one thing about being on assignment–somebody else is in charge.

That’s a good but also somewhat difficult situation. As I said, the motivation to complete the work is heightened. The motivation to write at your best is also heightened. I gave them my best, and hopefully they liked the product. The difficulties arrive in another form: writing under a contract means you are no longer writing solely for yourself.

Writing for others is an interesting experience. On this particular assignment, I was writing in someone else’s creation. It was their characters and their voice–I was asked to play in their sandbox, which meant their rules. This was such a strange shift from years spent trying to uncover and develop my own writing. I had to set myself, my way of writing, aside and attempt to tell a story in a different way. Sometimes this felt freeing, other times extremely constrictive.

While I was playing in their sandbox, I was still able to offer up my ideas. So while it felt like I wrote something that wasn’t mine, my way of writing still exists in that script. It took writing for someone else to see how much I have been able to develop my own style. As the script moves on, it will be changed, altered, interpreted and edited, but something in the final product will, hopefully, be the ideas I set forth.

That’s pretty amazing.

The other big lesson was more practical: in television, page count is everything. To clarify, in screenwriting the page count directly correlates to the length of the final product, usually it averages out to one script page playing about one minute long on-screen.

Since I spend most of my time writing feature-length movies I hope to one day sell, writing a half-hour of television was a big shift in form. The page count for a half-hour of television is very limited because the final episode can only be a limited length of time. I had to tell the episode’s story in less than a third of the amount of space I’m used to working in.

Fortunately, this assignment’s story was smaller. Unfortunately, my first draft was ten pages too long. It was a huge challenge to cut out ten pages of such a short story. I did not turn in that long first draft, that would have been a disaster. I did cut it down–a lot, all the way to the bones. It hurt, but it was a great reminder to keep my stories lean. There’s no room for fluff in screenwriting.

Overall, this assignment was fantastic. I gave it my best, and I would love to do it again.

And if I’m lucky, maybe I’ll have that chance.

-Zac

Leave a Comment

Filed under Career, Writing

Screenplays and Visual Aids

There’s been a significant amount of talk in the last year or so about screenplays that include visual aids: fancy cover designs, pictures in the script, posters to ignite interest, and even original artwork in an accompanying pitch packet. But is this a good choice for the emerging professional screenwriter?

Storytelling with Pictures or Words? 

There are many ways to tell a story with pictures: comic books, graphic novels, photography exhibits, a series of huge billboards along the highway, and most obviously… movies! There are also many ways to tell stories with words: short stories, novels, novellas, newspapers, magazines, and in recent times… tweets.

However, nowhere on either list did I mention the screenplay. Why? Well screenplays fall into the strange in-between world of picture storytelling with words. Screenplays are an intermediate step between a written story and the motion picture movies we see at the cineplex. Traditionally, screenplays do not have any sort of visual aids in them — no photos or drawings or diagrams — just words.

Should screenplays have visual aids in them? Maybe. I’m not sure I would go out of my way to insert artwork and pictures into my screenplay, but some people feel that they will help sell the script. As an emerging writer, one of my main goals is to sell my writing, my scripts, my stories.

But I’m not a visual artist or photographer — I’m a writer. Words are my medium, and for me that’s a key reason to not indulge in the use of visual aids.

I’m also concerned with creating the expectation to include visuals in a screenplay. If the buyers, the producers and studios who make movies, come to expect visuals in a script, that requires the writer, those like myself, to include these additional elements. And yet these elements will never be part of the final product — the movie. Any visual aids in a script will likely be tossed out by the director or even the producer, who expected to see them. Why? Because those other people will bring their own visions to the movie.

Adding visual aids to a screenplay, or to an accompanying pitch packet, are a waste of time, effort, and potentially money. It’s an unnecessary intermediate step. But if these visual aids are unnecessary to the final movie product, isn’t the entire screenplay an unnecessary step? The answer is a resounding no. The screenplay establishes the story, and the story is one of the major key elements to each and every movie.

Plus, if anyone wanted to use the visuals in your screenplay, the producer would likely have to acquire the rights to them, creating an additional expense. How will the producer pay for this extra expense? It could very well come out of the writer’s fee — after all you did include them in your script. You might as well cut an extra hole in your wallet ahead of time.

If you wish to add visual aids to your screenplay, do so sparingly. Be sure to invest heavily in your story — where it counts for more. Please do not pay someone to do artwork for your script — make a comic book instead. If the idea of visual aids in scripts continues to proliferate, it will only add to the money pit of guru services that already exists in the world of screenwriting.

My final thought on including visual aids your screenplay… It’s called screenWRITING.

So learn to write, with words.

-Zac

Leave a Comment

Filed under Career, Writing

Piracy: Set Sail for the Internet

Currently there is a massive debate across the web over intellectual property theft. Or if you wish to set sail on the high seas, most people refer to it as piracy. Arg!

Why would you become a pirate? 

There are many facets to the arguments about whether the piracy of films, television shows and music on the internet is wrong. This debate has been happening for longer than many would be willing to admit (going on at least twenty years by my count). I personally feel piracy is wrong. Please, stop stealing.

However, what I’m currently curious about is how a person decides that piracy is for them. On the internet, you won’t be shanghaied or enslaved by a creepy guy with a sword. So, what persuades a person to raise the skull and crossbones and download that watermarked film with poor compression and bad sound?

If only I could hear and follow the inner thought process of a pirate… Avast! That’s pretty much impossible.

While I could be wrong, it seems that the likely important point is that there is a free or no cost option to obtain content. At least, it’s free to the person pirating the content — so long as they don’t end up on the gallows — Arg! This seems to be the key element because people almost always choose the path of least resistance. In this case, free provides less resistance on a person’s wallet — and more booty for the treasure chest!

But is it as simple as that? Is piracy merely a crime of convenience? I certainly hope this isn’t the case.

What say ye?

-Zac

Leave a Comment

Filed under Career, Education

Day Job: Script Coordinator

While I’ve been busy writing, I also continue to maintain my day job as a…

Script Coordinator 

Previously, I talked about working in animation as a production assistant. I was fortunate enough to move from that position up the ladder. That’s right, somebody decided to promote me. Why? I didn’t ask; I just said, “Thank you!”

It’s better to ask what a script coordinator does, and the answer is a bit obvious: You coordinate the scripts. Speaking specifically to my experience working on an animated TV series, there are a few more things involved.

Script coordinating means keeping all the various drafts of the script organized. You have to track things, and once again spreadsheets can become your friend. In addition to helping track drafts with the writing staff, you also have to track drafts through the production process. This means wrangling a draft for the voice over recording sessions.

The recording sessions for an animated TV show can be hilarious and fun events. As script coordinator, you must make sure every actor has a current script, including any last-minute changes, and you must make sure every single line of dialogue is recorded. While this can be a tedious and detailed task, it’s also incredibly fun to see people yell in funny voices at microphones while crammed into a confined, sound proofed room. Perhaps it’s the lack of fresh air, but the recording booth produces fascinating results. It’s hard to beat hearing the villain of your show go off script and angrily order a latte. Did I mention all the actors I’ve worked with are amazing people with great stories?

After the voices are recorded, the script coordinator must track all the audio and adjust the script drafts as things change. Sometimes lines are altered, sometimes cut, and sometimes new lines are added later. Ultimately, you must make sure that each draft is as accurate as possible to that step in the process. Believe me when I say that people can become upset when you misspell a minor word like ‘dam’. Who knew one little ‘n’ could cause so many problems?

The key thing to note: you work with both the production team and the writers. When you want to become a writer, working with professional writers is clearly a good thing. There is plenty to learn from observing writers produce episode after episode on a regular basis. Unfortunately, you cannot absorb talent by proximity, that’s a much more complicated process involving a bit of black magic and scotch.

Which reminds me, I have to go see a magician about some booze.

-Zac

Leave a Comment

Filed under Career, Writing

A Working Writer

So… where have I been for the last while? Clearly I haven’t been here, and clearly you haven’t either. But, that’s okay. I’m sure we’ve both been busy. But, now I’m back. While I was busy ignoring this blog, I was also busy being–

A Working Writer 

That’s right, I’m now a paid working screenwriter! Woo-hoo!

It’s been good writing under a contract, knowing that it’s not just a lottery ticket that might never win. Until this moment, I never would have realized how motivating it is to work for money. I suppose it’s the certainty of the situation.

So, what have I been working on? Well… I can’t really say. There’s these lovely things in the world known as NDA’s, and I had to sign one. No, it’s not a Normal Decency Agreement or a Natural Dandelion Arrangement. It’s a Non-Discolsure Agreement, which is legal speak for keep your mouth shut.

While I can’t give any details about my current writing assignment, I can say that one day it will put my name on a screen somewhere. Where will this screen be? Antarctica? A cracked tube TV at a scrap yard? The projection screen of a high school health class? You’ll just have to wait and see.

When the time comes, I will spill the details… which will surely be part of a ridiculously loud bout of shameless self-promotion.

Until then, back to writing!

-Zac

Leave a Comment

Filed under Career, Writing